Monday, October 17, 2016

The 39 Clues Roundup

A good series of historical fiction to motivate a reluctant reader!

All the books feature a young boy as the protagonist, and I do wish they could have equally featured girls.

The Sword Thief (The 39 Clues #3) by Peter Lerangis


Another book, another author! Despite the multiple authors, the style seems mostly consistent. If anything, maybe both Dan and Amy's personalities came out a bit more in this installment.

It's mostly more of the same, only this time in Asia. There're hidden underground tunnels, alliances, and betrayals. I still find it distracting that you just have to accept that other people have uncovered other clues in ways that are never explained. Like how did the Kabras get that antique coin? And I'm a little bothered by how Amy and Dan keep leaving important items in random places while trying to outrun someone in pursuit. It just seems like such a huge risk; I can't believe that they manage to get their stuff back, again. But I guess suspended disbelief is a pre-requisite for this series already, given the whole premise of two minors competing in a world-wide challenge to find a mystery prize of unlimited power!

Tuesday, October 4, 2016

One False Note (The 39 Clues #2) by Gordon Korman


The world-wide search continues!

Where the first book had Amy and Dan Cahill learning about Ben Franklin in Paris, this book has them learning about Mozart in Vienna, Salzburg, and Venice. The brother and sister pair travelling to different places and learning about important historical figures reminds me of the Magic Tree House series, but of course this series is written for an older audience.

I'm enjoying the chase for clues, but I have to get used to only having Amy and Dan's perspective. The first book of the series made a point to mention that there are multiple paths that lead to the actual clues that need to be found. So we follow Amy and Dan, but along the way, they keep getting intercepted by other Cahills. Since we don't know how other Cahills are figuring things out, I keep wondering about things like: How did Jonah Wizard know to go to Vienna? How did Alistair Oh get the paper that he hid in his cane? I guess none of those things are really important, you just have to accept them.

Sunday, October 2, 2016

Hillbilly Elegy: A Memoir of a Family and Culture in Crisis by J.D. Vance


I am a staunch advocate for common sense gun control, but even I have to admit that in the first chapter, the author manages to describe a situation that could arguably be a case in which a 12-year-old child might be justified in using a gun. The shockingly eye-opening account went on to tell how that same 12-year-old girl got pregnant at 13 and married at 14 (her husband was 17). This girl eventually becomes the imposing matriarch of the Vance family - Mamaw - whose life and spirit were central to the book's themes.

I found Hillbilly Elegy to be compelling and informative. It provides ample context for discussion of race, poverty, socio-economics, education, and politics - especially in light of the 2016 presidential election. Still, this book is first and foremost a memoir. It's one man's family history, told in a conversational narrative voice. It's approachable and easy to read, though I sometimes got tripped up by some of the author's turns of phrases. From time to time, there are brief academic discourses, with references to sources and studies, but social commentary and analysis are not focal points of this book.

As a memoir, I might have given the book 4 stars. However, I think my enjoyment of the book was affected by my own misplaced expectations. I know that's probably not fair, but it was part of my reading experience, so I'll explain.

The reason I picked up this book is because I read some fascinating interviews with the author (including this one). These articles discussed two main ideas that struck me: 1) how poor, uneducated, working class white people (like hillbillies) make up the base of Trump supporters, and 2) the importance of "individual agency," i.e., the idea that whether or not you think the government is doing too much or too little to help the poor, poor people themselves still need to take responsibility for their own life decisions.

Reading this book, I was hoping to have a revelation to help me understand why Trump has garnered so much support, but I don't feel I got that. The book does not mention Trump at all, which, I realized while reading the book, is understandable since it was probably written before Trump burst onto the national political scene. The book does briefly discuss how white conservatives distrust Obama, actually doubting his citizenship and faith, but the author only acknowledges that some people think racism is a factor, and then quickly moves on to other possible explanations.

As for "individual agency" - the concept is exemplified in many anecdotes throughout the book, but the idea wasn't fleshed out in a comprehensive way like I had hoped.

The interview linked above also mentioned the idea that hillbillies, i.e., poor "white trash", are the only group of people that Americans are unashamed to look down upon. It would be unacceptably racist to openly disparage poor blacks, but somehow, thinking less of poor whites is okay. This book had a lot of potential for in-depth discussions of race, but it largely avoided the topic. In fact, the author's wife has an Indian-sounding name - Usha - but her ethnicity is not revealed in the book. Not knowing for sure, but assuming she was Indian, I found myself wondering how the author's family, given their deep white roots, might have reacted to Usha's non-whiteness, or how the author might have felt marrying into a non-white family. (Being in a mixed-race marriage myself, my experience is that race is not a non-issue.)

One completely random but interesting side note. The author credits his Yale professor Amy Chua - of Tiger Mom fame! - for giving him good advice and encouraging him to write this book. Just seemed like a small world type connection - perhaps an example of the kind of elite networking the author describes in the book!

Saturday, September 17, 2016

The Maze of Bones (The 39 Clues #1) by Rick Riordan


I really enjoyed this book! It's like the movie National Treasure; there's a series of clues that are buried in time and based on history (so there's even some educational value beyond the reading itself), and it all leads to some kind of mystery treasure. Except this book has more teams competing to find the treasure, and a couple of the teams include kids. Lots of over-the-top espionage and action, but if you can commit to the suspended disbelief, it's a lot of fun. There's a good deal of chuckle-worthy humor, too, especially in the form of random kid-typical comments from Dan.

Sunday, September 11, 2016

The Friendship Matchmaker by Randa Abdel-Fattah


I had a shaky start with this one. Lara Zany is the official "friendship matchmaker" at her school. She comes across as sincerely wanting to help others make friends, yet she's got a misguided list of "rules" about how to make and keep friends in school. She's not very likable at first, but I have to admit, by the end - when she learns a thing or two about how to really make friends - I was glad everything worked out for her.

I'm always on the lookout for diversity in books, so I'll mention that this book happens to have a character named Emily Wong. She is the new girl in school who just happens to be Chinese. She is an independent-minded individual and is immediately skeptical of Lara's "rules". Again, she was strangely not entirely likable. I liked her confidence and sense of self, but she kind of bordered on impertinent.

Finally, I was a little put off by how the characters in this book were meant to be 7th graders. They actually seemed to behave more like 5th or 6th graders to me. It's weird, because I just read another book about 5th graders who seemed more like 7th graders to me!

Thursday, September 8, 2016

Auggie & Me by R.J. Palacio


Auggie & Me consists of three separate stories, each previously published as an ebook. Wonder left me downright yearning to read Julian and Charlotte's stories, so I was eager to read this collection that includes both Julian and Charlotte's perspectives.

The Julian Chapter ★★★★

I started out not really liking this story, with Julian's actions basically being explained away with excuses. Still, it made sense from Julian's perspective, and I could understand Julian's parents being blinded by love for their son; it's hard for any parent to believe that their child could actually be the bully.

The school administrators, however, were another story. Mr. Tushman and Dr. Jansen were in a position to do more for both Julian and Auggie. Why didn't they arrange some kind of mediation between Julian and Auggie to address the issues between them? In this book more so than in Wonder, it was clear that the administrators all knew there were problems, but instead of stepping in to help with the root cause, they just took disciplinary action after events unfolded. Yes, Julian was responsible for his own behavior, but I felt the school should have done more to help diffuse the situation.

It wasn't until Julian went to visit his grandmother in Paris that things started to fall into place. Grandmere and Mr. Browne were finally able to identify the root problem - which, again, should have happened much earlier - and Julian finally received some empathy and understanding as Grandmere told him a rather incredible story of her own with a similar theme, and a worthy lesson.

Pluto ★★★★★

This story surprised me! I wasn't at all curious to know more about Christopher when reading Wonder, but I really enjoyed his story. His perspective was honest and sweet, yet still believably realistic. Suddenly, Christopher is one of my favorite characters from Wonder!

Shingaling ★★★★★

One of the things I liked about Pluto and Shingaling is that both stories felt down-to-earth, more realistic. Nothing too over-the-top.

My one complaint about Shingaling is that, like Wonder, it had a lot of relationship dynamics that I think are more typical of 7th graders than 5th graders.

Putting that aside, I think Charlotte's story was more representative of how most kids would deal with someone like Auggie. Charlotte put it well at the end of her story - she was "nice", but Summer was "kind", a more genuine and meaningful sort of friendliness. Could Charlotte have been kinder to Auggie? Sure. But Auggie just wasn't a high priority for her. She had her own troubles, mostly worrying about changing friendships - which she cleverly outlined in Venn diagrams. When she wasn't trying to figure out middle school relationships, she had a dance performance to rehearse, regular school work to attend to, not to mention the mystery of the accordian-man to solve.

This book includes a little recap of the different-books-for-different-perspectives style of writing that is used in these Auggie books: On page 280 of my edition, Charlotte says, "Funny how all our stories kind of intertwine. Every person's story weaves in and out of someone else's story." And that's just it. Every single person has a rich and complex life that can't be understood solely through their interactions with just one other person. Through Charlotte's story, we see how Ximena - just a marginal character in Wonder - was much more fleshed out in this book. We can imagine that even Charlotte's friend Maya must have a pretty compelling story of her own, if we just took the time to get to know her, too.

Saturday, September 3, 2016

American Born Chinese by Gene Luen Yang


A bold graphic novel about racism, identity, and acceptance.

Being Chinese-American myself, my personal experience definitely played a role in my reading of this book.

American Born Chinese consists of three separate stories that eventually tie together in a meaningful way. The first involves the Monkey King, a well-known character in Chinese folk tales. I don't know enough about Chinese folk tales to know which parts of this story were authentic to Chinese legends, and which parts were made up by Gene Luen Yang. But I know just enough about the Monkey King so that this character felt very familiar to me, giving me an instant feeling of connection with the book.

The second story involves a Chinese-American boy named Jin who has trouble fitting in, mainly because he's the only Chinese boy in school. While my personal experiences were not quite as extreme as Jin's, his story was something of a mirror of my own childhood, and so I identified with him immediately.

The third story is presented as if it were a sitcom. A boy named Danny is mortified when his cousin Chin-Kee comes to visit. Yes, that's right, Chin-Kee like "chinky". This story line was cringe-worthy in its depiction of racist Chinese stereotypes, even as it was obviously meant to be a wild caricature of the worst of Chinese representation in American popular culture. (Think Breakfast at Tiffany's.)

The three seemingly unrelated stories come together in the end to help Jin deal head-on with his self-loathing and finally come to terms with the Chinese part of his identity. It was a satisfying ending, but I sort of felt like the final resolution came about a little too quickly.

There was one other thing I found interesting, and I wasn't sure what to make of it. In the Monkey King story line, there is an all-powerful creator named Tze-Yo-Tzuh. A lot of his lines sounded reminiscent of Christian Bible verses, and it was another review that tipped me off to the fact that some of his lines were actually variations of Proverbs 139.

On page 80 of my edition, Tze-Yo-Tzuh says, "I have searched your soul... I know your most hidden thoughts. I know when you sit and when you stand, when you journey and when you rest. Even before a word is upon your tongue, I have known it."

The corresponding verses in Proverbs 139: "You have searched me, Lord, and you know me. You know when I sit and when I rise. You perceive my thoughts from afar. You discern my going out and my lying down... Before a word is on my tongue you, Lord, know it completely."

Later, the Monkey King is seen having gone on a "Journey to the West" to bring gifts to Baby Jesus. It was a strange blending of Christian tradition and Chinese folk lore. Was the combining of east and west philosophies a metaphor for how Chinese-Americans must intertwine their Chinese and American identities? Or was it a statement meant to show that east and west philosophies aren't really so different? Or is the author himself Christian, and simply wanted to interject his faith into the story?

This book definitely has a place in helping to define the Asian-American experience - yes, it is actually a realistic portrayal of how many Asian-Americans feel - and I imagine it would serve as an effective window for non-Asian-Americans.

Btw, here's an interesting anecdote unrelated to my actual review... When I first read this book, there were 16 pages towards the beginning that made absolutely no sense to me. The illustration style was completely different, and I had no idea what was going on. I read the entire book, feeling a little confused all the time, never quite understanding how those 16 pages fit in. When I went to write my review, I took a peek at some other reviews to see if they could shed light on the mysterious 16 pages. Nothing I read mentioned anything like those 16 pages, but several reviews mentioned things that were definitely not in the book that I read! After some online sleuthing, I finally figured out that the copy I had read - borrowed from the library - actually included 16 pages of another book, Missouri Boy by Leland Myrick, spliced in!! They completely replaced the 16 pages that ought to have been in the book.

I got myself another copy of the book, and thankfully the second one was fine. I re-read the whole thing to make sure I got the proper experience start to finish. When I return both books to the library, I will definitely let them know about the mistake in the first copy!

Wednesday, August 31, 2016

I Survived the San Francisco Earthquake, 1906 by Lauren Tarshis


This is my fifth I Survived book, and I'm still wondering why the protagonist is always a boy. I get that this is a great series for boys, but maybe that's all the more reason to throw a brave young girl into the mix - to show young boys that girls can be survivors, too.

Anyway, as usual, Lauren Tarshis gives us a pretty good impression of what living through the earthquake must have been like. I've come to expect happy endings, and this book did not disappoint in that regard.

It was interesting to think about young orphan boys living entirely on their own at the turn of the century. Was that really common back then? Or was the author purposely trying to shine a light on homeless youth? It was a little odd how Fletch and Wilkie were no-good troublemakers who lived on the street, while Leo and Morris were more like boys who just happened to live alone. They even had jobs.

It was clear that Leo had recently lost his father, but what about his mother? She was never mentioned at all, and the total omission kept me wondering.

I wasn't crazy about the story that brought Leo, Morris, Fletch, and Wilkie together. It was all a bit too convoluted... I mean, impersonating a ghost?! Like, really? Unlike the other books in this series that I've read so far, this one seemed to put more weight on the personal stories of the characters than on the event itself.

Tuesday, August 30, 2016

I Survived Roundup

A good series of historical fiction to motivate a reluctant reader!

All the books feature a young boy as the protagonist, and I do wish they could have equally featured girls.

I Survived the Sinking of the Titanic, 1912 by Lauren Tarshis


I really enjoyed this one! Characters are fleshed out, and I teared up. I especially liked the way a couple different pieces came together in the end.

Even though the whole series is about disasters, when I first started this book, I was afraid that the description of the actual sinking would be too much, too awful for young readers to imagine. But Lauren Tarshis has really found a method that works: The first chapter describes the most terrifying part of the disaster that is experienced by the main character. Just when you think it might be too difficult for young readers to handle, the chapter ends. The second chapters goes back in time and sets up the characters and the context. Towards the end of the book, after the worst of the disaster has passed, Lauren Tarshis pulls back from the story, like a fade to black in movies. The next chapter opens in a calming way, after much of the immediate aftermath has already passed. Some details are retroactively explained, and we see our main character in a good place. As far as I can tell from the books I've read so far, the author always gives us a happy ending. I like that. With so much death and destruction embedded in each story, it's nice to imagine that maybe, just maybe, some people came through alright.

Saturday, August 27, 2016

Wonder by R.J. Palacio


*** Warning: This review contains spoilers!! ***

A heartwarming story with a clear message of kindness.

This book gets a lot of high praise, and rightly so! August Pullman's story is told from multiple perspectives, making for lots of opportunities for the reader to practice empathy and to identify with one emotion or another. I especially appreciated Via's narration because it has always seemed to me that it's not uncommon for the siblings of kids with medical conditions to get overlooked. I know the part about Grans favoring Via might not sit well with some people, but I think that is exactly what Via needed to hear - that she mattered, too.

Grans and Mrs. Pullman are Brazilian, and I appreciated the matter-of-fact bit of diversity, including Summer being biracial. One small detail that I was perhaps overly sensitive to - because I'm Asian-American - was how Ximena Chin, the only character with an Asian-sounding name, was stereotypically the smartest girl in the class. Similarly, not diversity-related, but I didn't like the way the students who played Dungeons & Dragons were stereotypically portrayed as always being at the bottom of the social ladder.

While we're on the topic of small details... When Mrs. Pullman asked August about Summer, August said she was not in any of his classes (pg. 55). But just a few chapters later (pg. 68), August said Summer was in his English class, which seemed a peculiar oversight because several chapters had been devoted to August's first impressions of his English class, and Summer had no role in it.

I really loved Summer's character. Certainly she was set forth as the ideal, the kind of person we all wish we could be. If only every school had a Summer! Jack Will was, for me, the more relatable student. He was a good kid, but not eagerly so, and through him, it was clear how much peer pressure can play a role in children's behavior.

I really, really liked how all the kids in the book did not keep information from their parents. When there was something worth telling, they did tell - within a reasonable amount of time, before things got worse - either a parent or a trusted older character. I hope the message is not lost on young readers that when something bothers you, it helps to talk to someone.

I understand not wanting to complicate the story too much, but I found myself really wanting to read the perspectives of Julian and Charlotte. Julian, of course, never found it in him to be kind to August (and we see a glimpse of why in his mother's emails), and Charlotte - despite being portrayed as a goody two-shoes - only did the very minimum that was asked of her. Honestly, truth be told, I think a lot of children, in real life, would behave more like Julian and Charlotte than Summer and Jack. We don't want to promote or excuse their behavior, perhaps not even pass judgment, but I think some exploration of their feelings and emotions would have been valuable.

Of the perspectives included, the first-person narration by the 10-year-olds felt not quite believable to me. It was a bit odd, because I did find their dialogue, writing assignments, emails, and texts to be pretty typical of 5th graders. But their narrative voices just seemed too mature and articulate for their age. They sounded - and acted, what with all the talk about boyfriends and girlfriends - more like 7th graders, to me. I frequently wondered why the characters just weren't written to be 7th graders. Beecher Prep could have been a junior high school, and the "lots of kids will be new at the same time" idea could still have worked. Although, another thing I very much appreciated about the book is how August would just break down and cry sometimes. That did seem perfectly fitting for a 5th grader, but might not have had the same effect if he were a 7th grader.

Even though Amazon says this book is appropriate for grades 3-7, I would recommend it more for grades 5 and up. To me, this book is really a thinking book. What would you do if August went to your school? Would you be like Julian or Summer? Jack or Charlotte? Or maybe even one of the peripheral characters, who exist at a distance and never actually get into the fray? I think this book can have the most impact when it leads to some introspection, and I just think older readers would be better able to internalize the book's situations and explore the character's motivations and psychology, rather than just take the book at face value as just another story. On top of that, there are a number of heavy concepts in this book, including two deaths, talk about reincarnation, and a rather light mention of suicide that plays a big role. When I first started this book, I encouraged Isabelle to read it, too. By the end, I told her not to rush, that if she wants to wait another year two to read it, that's fine. But I would like her to read it some day.

I'm kind of surprised at how much I have to say about this book, but I'm just going to keep going...

In some ways, this book felt like it had a lot of potential as a young adult, or even adult, novel. In Via's narration, she goes into genetics, lets us know that she, too, carries the gene that could result in her children having a condition like August's, and then she drops a heart-wrenching line: "Countless babies who'll never be born, like mine." (pg. 106) Wow. So affected by her brother's life, she has already decided that she will never have children, not willing to risk that one of them might be born like August. I expected more exploration or discussion later on, especially when her boyfriend Justin's narration revealed, "i'm going to be an overprotective dad some day... my kids are going to know i care." (pg. 197) Wow! So many questions. Would having or not having kids be a deal-breaker, either for Via or her partner? Would Via be willing to have children if she could guarantee her partner didn't carry the gene? At what point in a relationship do you ask your partner to get genetic testing, in order to determine if you're willing to move forward!?! Crazy questions, all of which are beyond the purview of a children's book, especially with Via and Justin just being 9th graders, after all.

Every now and then, someone would point out that August does not have special needs. This detail was important to show that August only looked different, but was otherwise intellectually and emotionally just like any other 10-year-old kid. However, whenever it came up, it just never sat right with me... Via saying, "Unless you want to be treated like a baby the rest of your life, or like a kid with special needs..." (pg. 115) and Charlotte explaining that Beecher is not an inclusion school, which "mixes normal kids with kids with special needs." (pg. 171) I don't know. It just had a small tinge of, "Well, good thing Auggie is not special needs, because those kids aren't normal, and we don't want to have to deal with one of them."

I was taken aback by August winning a medal at the 5th grade graduation. When they first started talking about the last award, I thought, "Oh, this is great, Jack will get an award for being brave, for being kind and befriending August even though it meant losing all his other friends!" And then I thought, "Oh, maybe it will be Summer, because she never wavered, and was super kind and befriended August in the beginning without even being asked." Turns out, it was August who won. It's not that I don't think he was brave for going to school, or that he was in any way undeserving! It's great that he won. But one of the major themes of the book is how August just wants to be an ordinary kid, just wants to be treated like a normal kid like everyone else, not singled out for being who he is. In light of that particular theme, the award seemed too much. Yes, it was August who, just by being who he is, inspired other people to step up, to be braver than they thought they could be, to be kinder and more compassionate. But... he didn't actually do anything.

Clearly, this book got me thinking. It's a valuable read.

Oh, a couple random thoughts. I loved that Mr. Browne taught precepts, as a way to get kids thinking. And I enjoyed all the references to pop culture, though I don't think kids today would necessarily understand them all.

Thursday, August 25, 2016

Starry River of the Sky by Grace Lin


I have to admit, I had several false starts with this book. I tried reading it aloud to Isabelle more than once, and somehow we never got into it. We put it back on the shelf, and there it was forgotten - until recently. With When the Sea Turned to Silver (a third book in this series) coming out soon, I figured it was high time to finish this book.

Starry River of the Sky is a companion story to Where the Mountain Meets the Moon. It's not a sequel, and you don't have to read the books in order. Rather, the main character in this book is connected to one of the supporting characters in Where the Mountain Meets the Moon.

This book follows the same style as WTMMTM. Written with lots of descriptive metaphors, and gorgeously paired with full-page color illustrations that are as much a part of the book as the text, both books tell the story of a child - a girl in WTMMTM, a boy in SROTS - who leaves home for some reason. Chinese folk tales are woven throughout, and the tales turn out to be central to the themes of the main character's story. There's the feeling that the primary story could take place in real life, but as magical things happen, and you realize the story itself is a folk tale as well.

The books are not entirely similar, however, and a fan of WTMMTM should not expect "more of the same" from this book. Where WTMMTM had Minli going on an epic quest, meeting a dragon along the way, SROTS has no real adventure. Instead, SROTS centers on an inn, where characters gather and stories are told. Only Rendi realizes that there is something wrong in the night sky, and the clues to solving the mystery seem to be in the folk tales he hears.

I love the way all the stories tie together. I am familiar enough with Chinese folk tales that there were some characters and concepts that I recognized. However, I don't know them well enough to know which parts were "authentic" and which parts were imagined by Grace Lin. Many Chinese folk tales have several versions anyway, so the idea of Grace Lin adding new twists - while keeping within the traditions of Chinese folk tales - is rather fitting. She writes in the Author's Note: "I hope my book makes those unfamiliar with the tales curious to read them. For those who already know the mythology, I hope that prior knowledge only makes my versions more enjoyable." Indeed, I felt my limited prior knowledge helped me to better enjoy the stories, and the stories made me curious to read the original Chinese versions!

Sunday, August 21, 2016

Americanah by Chimamanda Ngozi Adichie


I liked this book.

The main character is Ifemelu, a Nigerian woman who comes to America and then, many years later, decides to return to Nigeria. Through non-chronological storytelling including flashbacks, we follow her growth through childhood and adolescence in Nigeria, and then adulthood in America and back in Nigeria. While the driving narrative is the relationship between Ifemelu and her first love, Obinze, this book offers so much more than just a love story. It talks openly about race and immigration, and puts into perspective the first-world problems of America and the third-world problems of Nigeria.

So, I consider myself pretty well-informed on race issues in America. I am non-white, and I read a lot of articles and think pieces about race. From where I'm coming from, this book reiterated much of what I already understand about race, and I thought it was remarkable just how openly race was addressed. I once participated in an employer-sponsored race workshop, and it was not so much a discussion about race as it was a lot of dancing around the topic. I left feeling frustrated and annoyed, wanting to shout, "Let's just TALK already!" Compared to that workshop, I think a much more effective way to talk about race would be to require everyone to read this book and then have small book group type discussions led by those trained workshop leaders. For a person who has not yet given much thought to race, or who maybe doesn't know how to go about talking about it, this book offers much food for thought. If exploring race doesn't interest you, then this book is not for you.

Beyond race, this book did open my eyes to the struggling world of immigrants - both legal and illegal. Again, I consider myself pretty well-informed on immigration, and coming from an immigrant family myself, I think I have a pretty good understanding of the challenges faced by immigrants. But this book shined an additional light on the troubles faced specifically by illegal immigrants. I found myself invested in the characters' stories, and therefore rooted for them throughout the book, but I do wonder... Would a person who is politically unsympathetic to illegal immigrants be able to sympathize with these characters, or would they feel disgusted with them as illegal immigrants?

I got a little hung up at one point in the book, when Ifemelu changed her career in America. Her new career eventually required a whole slew of different skills and abilities that seemed uncharacteristic of what we knew of her before. It was just a little strange that she suddenly was capable of doing these things that she never did before. I also was disappointed that the book did not delve further into Dike's psyche. He was only a supporting character, but his experiences as a non-American black growing up being treated as an African-American black were valuable, and I constantly wanted to know more about him.

In the end - without giving away the ending - I felt not quite satisfied. It was not a tragic ending, but also not quite uplifting. I think it was an important part of the book that Ifemelu's sense of self was strong enough to withstand years of American influence - that she put herself in a position to learn much in America, and in the end, realized she only needed to be true to herself, no matter where she lived. It's a good message, but maybe she could have learned the same things in Nigeria? Of all the many characters in the book, only Ifemelu, Obinze, and maybe Iloba, remained fundamentally unchanged despite their time abroad - and that seemed a bit contrived, especially given how much everybody else had changed. The way events unfolded, I actually felt sadness and regret that she had "wasted" so many years in America, when her alternate life path - that she would have led if she had stayed in Nigeria - would probably have turned out just fine, maybe even better.

Sunday, August 14, 2016

Harry Potter and the Cursed Child, Parts 1 & 2 by J.K. Rowling, Jack Thorne, and John Tiffany


I read this play knowing NOTHING except the fact that Harry, Ron, and Hermione are now adults.

I think part of the fun was going in without any expectations whatsoever, and just enjoying being immersed in the wizarding world again. For that reason, I'm going to keep this review spoiler-free, which means I can't really say much, except in broad strokes.

The bottom line is, this play was written for Harry Potter fans. Reading this play is downright FUN! I enjoyed every minute of it, which is why I gave it 5 stars. All the nostalgia factors are there. Think of this play as the Star Wars: The Force Awakens (Episode VII) of the Harry Potter franchise. We have a new story with new characters, but at the same time, we still have our old favorite characters - who are literally older - and we're just traveling down memory lane, paying homage to the original story. All the characters are just how we remember them, Ron being in especially good form as comic relief.

Intentionally or not, this play did have a couple "Harry Potter moments" when you wanted to shake the book and ask, "Why did you do THAT instead of doing this other thing that would obviously be a better idea!?" But perhaps that is part of the Harry Potter charm. There may be some shortcomings or inconsistencies in the plot, but the mere existence of the wizarding world itself just makes up for it.

So, let's be honest. My 5-star rating is more a result of my fandom than a critical analysis of the play. If I had to rate this STORY as a stand-alone entity... Maybe I'd give it 3 1/2 stars. Without giving away spoilers, I'll just say that the story includes elements that I find very difficult to do well in any book, and also, I didn't feel as much sympathy for the main character as I think I was supposed to.